Whiplashed Times Three

I’ve now watched the movie Whiplash three times, and I see clearly why Rotten Tomatoes gave it a 94% rating. The movie is riveting, intense, and well-acted.

Academy Awarded for Best Performance by an Actor in a Supporting Role (J.K. Simmons…he’s incredible), Best Achievement in Film Editing, and Best Achievement in Sound Mixing. It not only won 3 Oscars, it received 96 other nominations with a total of 90 wins.

Reviews:
Beat the drums for a Simmons Oscar, and add a cymbal crash for Whiplash. It’s electrifying.– Peter Travers·Rolling Stone

More Full Metal Jacket than Dead Poet’s Society, the film is an epic battle of wills between two fanatical artists, one doing everything in his power to painfully make a master out of the other.– A.A. Dowd·A.V. American Kennel Club

Indeed, Whiplash is a dramatization that takes everything to extremes, which makes a great platform for the actors. The relationship between Fletcher, the drumming instructor (J.K. Simmons and the hungry student, Andrew Neiman (Miles Teller) is not just intense, it’s incredibly engaging, and one of the major focuses in the storyline.  The final scene is a wonderful culmination of the power-play and rather twisted relationship between the two, all wrapped up in an incredible drumming solo.

Rated R for violence and language content

If you’re a music/jazz lover, this is a great flick to see.

16135968997_1a9e1aa241_bWHIPLASH1

Let’s talk about connecting to the audience — Why is this important?

Greetings Everyone!

I will be teaching a Webinar for the Writers Store on Thursday, June 25, 2015 1:00 PM / 4:00 PM ET
The Audience’s Connection to a Screenplay: Engaging through Conflict

Screenwriters sign up now for my webinar on June 25 on writing engaging conflict. Use the code CARLA20 to save 20%  bit.ly/EngagingConflict 

At a Glance

Whether you are a novice, intermediate or seasoned screenwriter, this webinar will fuel you with insightful and important information to help you create a story with universal appeal.
Gain a deeper understanding about the fundamental importance of conflict in a screenplay.
Learn how conflict affects the pacing of your story, helps develops your main character, and connects the audience to the hero.

Please note: If you purchase any webinar, you will get a recorded version of the webinar sent to you after the presentation day. So if you can’t attend live, you will still get all the materials.

ABOUT THE WEBINAR

Screenwriting is a rigorous process, and for a story to work in this medium the audience must connect to the hero – you must make the audience care! However, this does not come about by giving your character good personality traits. The audience needs to see strength in overcoming; they need to see “reality” through conflict.

Carla’s passion for storytelling begins with her connection to the journey of the hero, and for an audience to root for a hero; there must be a relationship with the character based on weakness and character defect. With a background in the dramatic arts, and English literature, Carla will share with you her process for creating relatable, “realistic” characters through the use of conflict.

Discover why so many scripts fail at the get go, how good characterization is based more on weakness and need than personality traits, and how both internal and external conflict is used to move the story forward and bring the hero to transformation.

WHAT YOU’LL LEARN:

How conflict helps to deepen the main character
How conflict works in a storyline
About the many faces of conflict
Why audiences must have a connection to the hero
How to make your audience “care” about the hero
The importance of dramatic tension and how it works with the hero
The essence of storytelling, no matter what the genre
The importance of universal appeal

WHO SHOULD ATTEND?

Screenwriters who want a story that connects to the audience
All-level screenwriters
Screenwriters who want a better understanding of dramatic conflict and how it is used in the story
Screenwriters who want to expand their writing skills
Screenwriters who want to impress readers and (hopefully) sell their scripts

Participate Live or Watch Later

This webinar includes both access to the live webinar where you may interact with the presenter and the recorded, on-demand edition for your video library. Each registration comes with access to the archived version of the program and the materials for one year. You do not have to attend the live event to get a recording of the presentation. In all webinars, no question goes unanswered. Attendees have the ability to chat with the instructor during the live event and ask questions. You will receive a copy of the webinar presentation in an e-mail that goes out one week after the live event. The answers to questions not covered in the live presentation will be included in this e-mail as well.

BONUS: With purchase of this webinar, you will receive $79.99 off of a yearly subscription to the Screenwriting Tutorials website, which has specialized tutorials from experts that explore screenwriting topics covered nowhere else on the web!

SYSTEM REQUIREMENTS: This webinar will be broadcast using GoToWebinar. To see if your system is compatible with GoToWebinar, please review this page, which lists the system requirements for the software.
Meet the Author: Carla Iacovetti

Carla Iacovetti is a published writer, awarded poet, and screenwriter. She has authored more than a half dozen screenplays, and her poetry is featured in over a dozen anthologies. Carla, who works as a freelance writer, script editor, ghostwriter and copywriter, is also a regular feature writer for the Ventura County Reporter and is a screenwriting instructor at Santa Barbara City College Center for Lifelong Learning.

SIGN UP HERE: The Audience’s Connection to a Screenplay: Engaging through Conflict
Posted in Uncategorized | Leave a reply

Do you want to write a screenplay?

Greetings Everyone! 

I will be teaching a Webinar for the Writers Store on Thursday, June 25, 2015 1:00 PM / 4:00 PM ET

The Audience’s Connection to a Screenplay: Engaging through Conflict

At a Glance

  • Whether you are a novice, intermediate or seasoned screenwriter, this webinar will fuel you with insightful and important information to help you create a story with universal appeal.
  • Gain a deeper understanding about the fundamental importance of conflict in a screenplay.
  • Learn how conflict affects the pacing of your story, helps develops your main character, and connects the audience to the hero.

Please note: If you purchase any webinar, you will get a recorded version of the webinar sent to you after the presentation day. So if you can’t attend live, you will still get all the materials.

ABOUT THE WEBINAR

Screenwriting is a rigorous process, and for a story to work in this medium the audience must connect to the hero – you must make the audience care! However, this does not come about by giving your character good personality traits. The audience needs to see strength in overcoming; they need to see “reality” through conflict.

Carla’s passion for storytelling begins with her connection to the journey of the hero, and for an audience to root for a hero; there must be a relationship with the character based on weakness and character defect. With a background in the dramatic arts, and English literature, Carla will share with you her process for creating relatable, “realistic” characters through the use of conflict.

Discover why so many scripts fail at the get go, how good characterization is based more on weakness and need than personality traits, and how both internal and external conflict is used to move the story forward and bring the hero to transformation.

WHAT YOU’LL LEARN:

  • How conflict helps to deepen the main character
  • How conflict works in a storyline
  • About the many faces of conflict
  • Why audiences must have a connection to the hero
  • How to make your audience “care” about the hero
  • The importance of dramatic tension and how it works with the hero
  • The essence of storytelling, no matter what the genre
  • The importance of universal appeal

WHO SHOULD ATTEND?

  • Screenwriters who want a story that connects to the audience
  • All-level screenwriters
  • Screenwriters who want a better understanding of dramatic conflict and how it is used in the story
  • Screenwriters who want to expand their writing skills
  • Screenwriters who want to impress readers and (hopefully) sell their scripts

Participate Live or Watch Later

This webinar includes both access to the live webinar where you may interact with the presenter and the recorded, on-demand edition for your video library.  Each registration comes with access to the archived version of the program and the materials for one year. You do not have to attend the live event to get a recording of the presentation. In all webinars, no question goes unanswered. Attendees have the ability to chat with the instructor during the live event and ask questions. You will receive a copy of the webinar presentation in an e-mail that goes out one week after the live event. The answers to questions not covered in the live presentation will be included in this e-mail as well.

BONUS: With purchase of this webinar, you will receive $79.99 off of a yearly subscription to the Screenwriting Tutorials website, which has specialized tutorials from experts that explore screenwriting topics covered nowhere else on the web!

SYSTEM REQUIREMENTS: This webinar will be broadcast using GoToWebinar. To see if your system is compatible with GoToWebinar, please review this page, which lists the system requirements for the software.

Meet the Author: Carla Iacovetti

Carla Iacovetti is a published writer, awarded poet, and screenwriter. She has authored more than a half dozen screenplays, and her poetry is featured in over a dozen anthologies. Carla, who works as a freelance writer, script editor, ghostwriter and copywriter, is also a regular feature writer for the Ventura County Reporter and is a screenwriting instructor at Santa Barbara City College Center for Lifelong Learning.

SIGN UP HERE:   The Audience’s Connection to a Screenplay: Engaging through Conflict

What’s up with universal appeal?

So, you want to write a screenplay that has universal appeal (don’t we all)?

There are a couple of major things you need to focus on for that to happen:  Your plot and the reason for action.
According to Aristotle, “The life and soul of all drama (tragedy) is the plot,”  and action is related to the want and need/goal of your main character.  In other words, let’s say your protagonist desires or needs love.  His or her need is going to drive him or her to respond or act according to the need.  Micheal Tierno, in his book Aristotle’s Poetics for Screenwriters says, “When a strong desire of a hero relates to all of the action, then the plot can depict a simple ‘portrait’ of the hero.”

So, often times, action is a emotional response of the character’s need or want.  For example:  Remember the movie Cocktail (1988), which starred Tom Cruise and Elizabeth Shue?  Let’s look at the storyline.  Brian Flanagan has just gotten out of the service and wants to make money.  He wants his own business, but after being turned down in several job interviews for lack of education, he takes a job working as a bartender.  His need for money pushes him to take a job that he’s really not excited about.  However, his need produces continued actions (chains of events), to include traveling to Jamaica to work as a bartender at an upscale resort, and meeting Jordan Mooney, the seeming love of his life. His boss, Doug Coughlin also wants to own his own high-end bar, so the two come up with a game-plan.  Once again, this flawed protagonist has an agenda, and his need gives rise to action, pushes the plot forward and will eventually guide the story to resolution.

(Tom Cruise- Brian Flanagan in Cocktail, 1988)

Universal appeal is important because for an audience to relate to a character or story there must be a relationship with the character and the storyline.  So, when Brian Flanagan’s business partner (the antagonist) puts him to a dare, we (the audience) feel bad for him, because it seems like all is lost.  We’ve all been there.  Desire and need are powerful things.  We somehow relate to his plight, his frustration, his turmoil, and that is universally appealing.

Is universal appeal important?  You betcha!  Life is a journey, and we are all a part of it.  For an audience or reader to relate to a character, there must be character traits, familiar moments that we’ve walked through or witnessed.  We know how this character feels because we’ve been there and done that!

According to Aristotle, “A plot must include causes of the action that can arouse the audience’s deepest pity and fear [or laughter and tears]. This means the audience must understand the hero’s thoughts and see those thoughts becoming actions, which in turn reveal a moral quality (character) of the hero.”

Just a little writing tip, in case you’re in the midst!

I am available for online, one-on-one, script coaching.   Click here: Script coaching online

Reference:  Aristotle’s Poetics by Michael Tierno

What the heck does your character want?

Simply stated, want produces action.  Think about it…If you suddenly developed a toothache, what would you inevitably end up doing?  You’d call your dentist.

Here’s a good question to ask yourself when your creating a main character.  What is the inciting incident established for the main character?  You know…something that must be gotten or achieved.  Something that the character believes will ultimately make his or her life better.

Here are some examples of (obvious) external goals: money, love, career promotion, the love of a child or family member, etc.

Whatever this goal is, your protagonist must feel that this goal is essential to his or her life, and the audience must see that the character will suffer or loose out “if” he or she does not achieve this goal.  This connection is paramount between the main character and the audience.  If it’s not there, you might lose your audience along the way.  The character won’t be compelling and the audience won’t want to root for him or her.

Photo: Office Space Movie

Milton’s worried about his red stapler…but that’s just the beginning.

Just a little writing tip, in case you’re in the midst!

I am available for online, one-on-one, script coaching.   Click here: Script coaching online

The Shoe Fits! Disney’s Cinderella Triumphs!

It’s not easy to successfully remake an age-old fairy tale, and particularly one as renowned as Cinderella, but once again, Disney triumphs.

First of all, choosing Kenneth Branagh to direct this live action version of their original animated film (1950) was a terrific decision – it’s hard to go wrong with the talented and famed actor, director, producer and screenwriter from Belfast, Northern Ireland. Undoubtedly, his understanding of both story and character arc, especially as related to his pronounced knowledge of Shakespeare can be seen in his ability to re-visit and revise this classic tale. In addition, Branagh was trained as an actor at the Royal Academy of Dramatic Arts, and has acted over the span of his career. Since he has been on both sides of the fence, it gives him some advantages because he’s connected to the audiences perspective, and this makes for powerful directing.

ellaThis updated version of the classic story is fresh, sweet, sometimes amusing and altogether lovely. While screenwriter, Chris Weitz sticks to the over-all original version, he does throw in a few nice surprises, such as the opening scene where Prince             Charming (Richard Madden…he’s incredibly charming) and Cinderella (Lily James) meet on horseback.  Cinderella is wonderfully engaging, charming, sincere, trusting and quite down-to-earth. There is nothing magical about her character, in fact, there is a wonderful message of strength of character that emanates to audiences of all ages. She’s not a victim, nor is she feeble — she stands strong. Cinderella is refreshingly real. She holds fast to memories of a happy time when her parents were alive, and rather than give way to anger or bitterness as a result of harsh life circumstances, she matures and her beauty radiates from the inside out. Cinderella recalls her dying mother’s instructions to, “Have courage and be kind,” and this becomes her life refrain, whether it’s in the way she connects to animals and or responds to Lady Tremaine, her cruel and calculating stepmother (Cate Blanchett), or in her interactions with her two vain, argumentative and imprudent stepsisters, Drisella and Anastasia (Sophie McShera and Holiday Grainger).

One of the most powerful things in the story is the way loss is perceived and dealt with by most all of the main characters. As a young girl, Cinderella looses her mother, and then   later on, after her father has remarried, he suddenly dies while he is away on a business trip, leaving her orphaned. We later learn that the King is ill, and Prince Charming…otherwise known as Kit, is about to lose his father and become king. Interestingly, Lady Tremaine confesses that she too lost her true love, and her bitter, jealous, angry response to loss is juxtaposed against Cinderella’s commitment to kindness – it really is all about choice, and according to Cinderella’s mother, having courage and kindness is a secret that will “see her through all the trials that life can offer.”

Instead of the typical “evil” stepmother as one would expect, Lady Tremaine is far more realistic. Granted, she is calculating, cruel, malevolent and abusive, but this antagonist is not the typical Disney villain. She is actually more believable, and for a brief moment, we don’t see hatred at the helm of her cruelty, but the need to provide for her two daughters and Cinderella is a rival.

Embedded image permalink

In a brief moment of weakness, when Cinderella faces her dark night of the soul, her Fairy Godmother (Helena Bonham Carter) magically appears on the scene and Cinderella’s world changes.  Carter is sassy and delightfully ditzy, introducing herself as Cinderella’s “hairy dogfather,” and then reassures Cinderella that she’ll find the jaw-dropping glass slipper “really comfortable.”

A fabulous cast, a fabulous director and superb writing are at the helm of this remake, and that’s only the beginning. Dante Ferretti’s set designs are nothing short of spectacular and Sandy Powell’s costume designs are simply amazing — in fact, they’re completely flawless.

It’s no wonder Rotten Tomatoes gave Cinderella an 84% rating. Both my thumbs are up!  Oh, and ladies — make sure you take some tissue.

Oscars 2015

“The world is but a canvas to the imagination.” — Henry David Thoreau
I’m very happy for those who won Oscars tonight and for those who were nominated. As a screenwriter, I wholly appreciate the vehement amount of creative energy, work, talent and bold tenacity that goes into every film made. BRAVO to ALL!

Best supporting actor
WINNER: JK Simmons for Whiplash
Robert Duvall for The Judge
Ethan Hawke for Boyhood
Edward Norton for Birdman
Mark Ruffalo for Foxcatcher

Achievement in costume design
WINNER: The Grand Budapest Hotel – Milena Canonero
Inherent Vice – Mark Bridges
Into the Woods – Colleen Atwood
Maleficent – Anna B Sheppard
Mr Turner – Jacqueline Durran

Achievement in makeup and hairstyling
WINNER: The Grand Budapest Hotel – Frances Hannon, Mark Coulier
Foxcatcher – Bill Corso, Dennis Liddiard
Guardians of the Galaxy – Elizabeth Yianni-Georgiou, David White

Best foreign-language film
WINNER: Ida – Paweł Pawlikowski
Tangerines – Zaza Urushadze
Leviathan – Andrey Zvyagintsev
Wild Tales – Damián Szifrón
Timbuktu – Abderrahmane Sissako

Best live-action short film
WINNER: The Phone Call – Mat Kirkby, James Lucas
Aya – Oded Binnun, Mihal Brezis
Boogaloo and Graham – Michael Lennox, Ronan Blaney
Butter Lamp – Wei Hu, Julien Féret
Parvaneh – Talkhon Hamzavi, Stefan Eichenberger

Best documentary short subject
WINNER: Crisis Hotline: Veterans Press 1 – Ellen Goosenberg Kent, Dana Perry
Joanna – Aneta Kopacz
Our Curse – Tomasz Sliwinski, Maciej Slesicki
The Reaper – Gabriel Serra
White Earth – Christian Jensen

Achievement in sound mixing
WINNER: Whiplash – Craig Mann, Ben Wilkins, Thomas Curley
American Sniper – John T Reitz, Gregg Rudloff, Walt Martin
Birdman – Jon Taylor, Frank A. Montaño, Thomas Varga
Interstellar – Gary Rizzo, Gregg Landaker, Mark Weingarten
Unbroken – Jon Taylor, Frank A. Montaño, David Lee

Achievement in sound editing
WINNER: American Sniper – Alan Robert Murray, Bub Asman
Birdman – Aaron Glascock, Martín Hernández
The Hobbit: The Battle of the Five Armies – Brent Burge, Jason Canovas
Interstellar – Richard King
Unbroken – Becky Sullivan, Andrew DeCristofaro

Best supporting actress
WINNER: Patricia Arquette for Boyhood
Laura Dern for Wild
Keira Knightley for The Imitation Game
Emma Stone for Birdman
Meryl Streep for Into the Woods

Achievement in visual effects
Advertisement

WINNER: Interstellar – Paul J Franklin, Andrew Lockley, Ian Hunter, Scott R Fisher
Captain America: The Winter Soldier – Dan Deleeuw, Russell Earl, Bryan Grill, Daniel Sudick
Dawn of the Planet of the Apes – Joe Letteri, Dan Lemmon, Daniel Barrett, Erik Winquist
Guardians of the Galaxy – Stephane Ceretti, Nicolas Aithadi, Jonathan Fawkner, Paul Corbould
X-Men: Days of Future Past – Richard Stammers, Lou Pecora, Tim Crosbie, Cameron Waldbauer

Best animated short film
WINNER: Feast – Patrick Osborne, Kristina Reed
The Bigger Picture – Daisy Jacobs, Chris Hees
The Dam Keeper – Robert Kondo, Daisuke “Dice” Tsutsumi
Me and My Moulton – Torill Kove
A Single Life – Joris Oprins

Best animated feature film
WINNER: Big Hero 6
The Boxtrolls
How to Train Your Dragon 2
Song of the Sea
The Tale of the Princess Kaguya

Best production design
WINNER: The Grand Budapest Hotel: Adam Stockhausen, Anna Pinnock
The Imitation Game: Maria Djurkovic, Tatiana Macdonald
Interstellar: Nathan Crowley, Gary Fettis
Into the Woods: Dennis Gassner, Anna Pinnock
Mr Turner: Suzie Davies, Charlotte Watts

Achievement in cinematography
WINNER: Birdman: Emmanuel Lubezki
The Grand Budapest Hotel: Robert D Yeoman
Ida: Lukasz Zal, Ryszard Lenczewski
Mr Turner: Dick Pope
Unbroken: Roger Deakins

Achievement in film editing
WINNER: Whiplash – Tom Cross
Boyhood – Sandra Adair
The Imitation Game – William Goldenberg
The Grand Budapest Hotel – Barney Pilling
American Sniper – Joel Cox, Gary Roach

Best documentary feature
WINNER: Citizenfour – Laura Poitras, Mathilde Bonnefoy, Dirk Wilutzky
Finding Vivian Maier – John Maloof, Charlie Siskel
Last Days in Vietnam – Rory Kennedy, Keven McAlester
The Salt of the Earth – Wim Wenders, Juliano Ribeiro Salgado, David Rosier
Virunga – Orlando von Einsiedel, Joanna Natasegara

Best original song
WINNER: Glory from Selma – Lonnie Lynn (Common), John Stephens (John Legend)
The Lego Movie – Shawn Patterson (Everything Is Awesome)
Beyond the Lights – Diane Warren (Grateful)
Glen Campbell: I’ll Be Me – Glen Campbell, Julian Raymond (I’m Not Gonna Miss You)
Begin Again – Gregg Alexander, Danielle Brisebois (Lost Stars)

Best original score
WINNER: Alexandre Desplat – The Grand Budapest Hotel
Alexandre Desplat – The Imitation Game
Hans Zimmer – Interstellar
Jóhann Jóhannsson– The Theory of Everything
Gary Yershon – Mr Turner

Original screenplay
WINNER: Alejandro González Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Armando Bo – Birdman
Richard Linklater – Boyhood
E Max Frye, Dan Futterman – Foxcatcher
Wes Anderson, Hugo Guinness – The Grand Budapest Hotel
Dan Gilroy – Nightcrawler

Adapted screenplay
WINNER: Graham Moore – The Imitation Game
Jason Hall – American Sniper
Paul Thomas Anderson – Inherent Vice
Anthony McCarten – The Theory of Everything
Damien Chazelle – Whiplash

Best director
WINNER: Alejandro González Iñárritu for Birdman
Richard Linklater for Boyhood
Bennett Miller for Foxcatcher
Wes Anderson for The Grand Budapest Hotel
Morten Tyldum for The Imitation Game

Best actor
WINNER: Eddie Redmayne for The Theory of Everything
Steve Carell for Foxcatcher
Benedict Cumberbatch for The Imitation Game
Bradley Cooper for American Sniper
Michael Keaton for Birdman

Best actress
WINNER: Julianne Moore for Still Alice
Marion Cotillard for Two Days, One Night
Felicity Jones for The Theory of Everything
Rosamund Pike for Gone Girl
Reese Witherspoon for Wild

Best picture
WINNER: Birdman
American Sniper
Boyhood
The Imitation Game
The Grand Budapest Hotel
Selma
The Theory of Everything
Whiplash

Carla Iacovetti's photo.
Carla Iacovetti's photo.
Carla Iacovetti's photo.
Carla Iacovetti's photo.
Carla Iacovetti's photo.